Jonathan Nichols: The inside of painting

Join us for a floor talk with artist Jonathan Nichols, discussing his exhibition The inside of painting, on Saturday 25 May, 2pm.

Jonathan Nichols is known for making figurative paintings that evoke a sense of intimacy, while still reaching outward into the exterior world around us.

In this exhibition, he presents two loose groupings of paintings made 20 years apart. By staging this marked temporal gap of 20 years between the two groupings, Nichols invites us to focus on how paintings extend beyond the specific contexts of individual works.

Hear directly from Jonathan Nichols, with CAM Director, Naomi Cass, as he discusses his exhibition in more detail, delving into the aspects of painting within his work and his interest in a painting’s painterly character, and its passage in time.

Jonathan Nichols is an artist and curator born and raised in Ngunnawal and Ngambri Country/Canberra. He is based in Naarm/Melbourne and Dja Dja Wurrung Country/Bendigo. Nichols began painting in the early 1990s after studying sculpture at the ANU and the University of NSW. In 2023, he completed a PhD at the VCA, University of Melbourne.

Early in his career, Nichols co-founded artist-run galleries Stripp (1996–98), Lovers (1998–99 and 2014) and The Green Door (2005). Curatorial projects include Feeling machines (Stripp, 1997), Mac (Centre for Contemporary Photography, 2009) and Learning to leave (VCA Margaret Lawrence Gallery, 2014). Nichols has been invited to curate an exhibition of international contemporary painters at PICA, Perth, in 2025. Over a period of 12 months in 2012–13, he was artist-in-residence at Rimbun Dahan, Kuala Lumpur, and for 6 years until the end of 2019, he lived and worked in Singapore.

In 2022, Nichols published a book of interviews titled Walking with ghosts: six conversations about painting — John Spiteri, Boedi Widjaja, Christoph Preussmann, Noor Mahnun Mohamed, Moya McKenna and David Jolly. The book follows Nichols’s biographical pathway through the art world since the 1990s and pursues long-held artist friendships to explore a 'horizontal culture' of painting.

Jonathan Nichols has participated in group exhibitions in Australia at the NGV, ACCA, Canberra Contemporary Art Space, National Portrait Gallery, Ian Potter Museum of Art, Karen Woodbury Gallery, Geelong Gallery and Bendigo Art Gallery, among others. He has held solo exhibitions in Singapore, Kuala Lumpur, Melbourne, Canberra and Sydney.

Celebrate the exhibition opening of Jonathan Nichols: The inside of painting on Friday 10 May, 6pm.

Thank you to major sponsors, local winemaking co-operative Boomtown Wine, and local bar and brewery Love Shack Brewing Company for sponsoring wine and beer, alongside support from StrangeLove with non-alc beverages.

Free event. Please RSVP here.

Jonathan Nichols: The inside of painting

Jonathan Nichols is known for making figurative paintings that evoke a sense of intimacy, while still reaching outward into the exterior world around us.

In this exhibition, he presents two loose groupings of paintings made 20 years apart. The first six works, dated between 1998 and 2001, were painted directly from the screen of one of the early commercially available laptop computers – a 1997 Apple PowerBook 1400cs. The second group uses mannequins and figurative shapes from the history of art. These paintings were completed between 2021 and 2022, after Nichols returned to Australia following several years living in Singapore and Malaysia.

By staging this marked temporal gap of 20 years between the two groupings, Nichols invites us to focus on how paintings extend beyond the specific contexts of individual works. He is interested in a painting’s painterly character and its passage in time. It is the aspects of painting that leap across the gaps between individual works that Nichols suggests are internal to painting and key to how it operates.